Play Along Piano

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chorus

Das Lied der Deutschen. {Professional production FULL SCORE.} [Unfinished.]

Jamie Holdham

0:36	Est. Play Time
90	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.		15	7	1	4	100%
4 VENTILHORNER in E.		17	18	2	4	100%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.		15	7	1	4	100%
4 VENTILHORNER in E.		17	18	2	4	100%
BASS. Alle Männer.		9	0	1	4	100%
BRATSCHEN.		8	0	1	4	100%
Contrabasse.		8	0	1	4	100%
Erste Violinen.		9	1	1	4	100%
TENOR. Alle Männer.		9	0	0	4	100%
Tuba.		13	0	1	4	100%
Violoncelle.		9	0	1	4	100%
Zweite Violinen.		9	0	1	4	100%
3 GROSSE FLOTEN.		9	0	0	4	83%
3 CLARINETTEN in Bb.		14	15	2	4	67%
3 HOBOEN.		14	15	1	4	67%
KLEINE FLOTE.		7	0	0	4	58%
PAUKEN. Es. u. B		4	0	2	4	33%
2 TENORPOSAUNEN.		4	2	0	2	8%
3 VENTILTROMPETEN in E.		2	1	0	2	8%
BASSPOSAUNE.		2	0	0	2	8%

María Elena Walsh - El Señor Juan Sebastián

andresflamenco

1:41	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		7	0	1	5	96%
Soprano		9	0	0	4	85%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		7	0	1	5	96%
Soprano		9	0	0	4	85%
Bass		9	1	1	5	77%
Tenor		7	0	0	4	77%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
Hoffmann		14	0	3	6	75%
B		10	2	1	3	25%
T		11	10	2	3	25%
S		11	5	1	3	24%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	43	7	5	100%
		24	28	4	4	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	43	7	5	100%
		24	28	4	4	98%
Tenor 1		13	0	2	4	93%
Tenor 2		13	0	3	4	93%
Soprano 1		15	0	5	4	89%
Soprano 2		16	0	4	4	89%
Basse		10	1	2	4	87%
Gianetta		11	0	0	4	76%
Nemorino		11	0	2	4	70%

Falling Slowly SAT

C.Shock Music

3:39	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	23	0	7	100%
		11	15	0	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	23	0	7	100%
		11	15	0	6	100%
Tenor		10	0	0	4	74%
Soprano		10	2	0	5	73%
Alto		9	5	0	6	67%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione

Papibois

1:31	Est. Play Time
75	Measures
	1,155Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

Kyrie in E minor (Opus 17)

schoutens

9:49	Est. Play Time
288	Measures
	2,861Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		35	8	15	9	88%
		36	2	15	9	96%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		35	8	15	9	88%
		36	2	15	9	96%
Violoncello		24	0	10	8	75%
Contrabass		24	0	9	9	56%
Bass		23	0	10	8	55%
Violin		29	0	10	9	46%
Viola		27	0	9	9	41%
Soprano		19	0	8	8	35%
Alto		19	0	7	8	30%
Tenor		19	0	7	6	29%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione -TENOR 1

Papibois

1:31	Est. Play Time
75	Measures
	1,162Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione - TENOR 2

Papibois

1:31	Est. Play Time
75	Measures
	1,163Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione - BASSE

Papibois

1:31	Est. Play Time
75	Measures
	1,171Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basse		10	1	2	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	1	4	7	100%
Violas		20	1	6	6	99%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	1	4	7	100%
Violas		20	1	6	6	99%
Violins		24	0	5	8	91%
		24	0	5	7	91%
Fagott		22	0	4	7	91%
Cembalo		23	49	6	7	87%
		26	72	5	7	84%
Tenor		15	0	4	5	82%
Oboe		15	0	4	6	74%
Soprano		15	0	4	6	74%
Alto		12	0	2	6	69%
Bass		15	0	3	6	65%

Unrequited

debrastephens1

1:22	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	2	1	4	94%
		9	1	0	4	94%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	2	1	4	94%
		9	1	0	4	94%
		9	1	1	5	94%
		9	2	0	4	88%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione

Papibois

1:31	Est. Play Time
75	Measures
	1,155Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione - SOPRANO 1

Papibois

1:31	Est. Play Time
75	Measures
	1,157Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione -SOPRANO 2

Papibois

1:31	Est. Play Time
75	Measures
	1,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

Chorus of The Dead

Viorst

2:03	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	5	3	2	59%
Violin		9	5	4	2	52%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	5	3	2	59%
Violin		9	5	4	2	52%
Harp		6	0	0	2	41%
		6	0	1	1	26%
Soprano		8	3	3	2	41%
Tenor		7	0	2	2	41%
Hand Bells		5	0	0	1	17%
		8	2	2	2	26%
Voice		5	0	1	2	20%
Timpani		5	1	1	1	13%
Tubular Bells		6	3	0	1	11%

Giovanna d'Arco, Atto II: Finale Secondo (coro: Te, Dio, lodiam)

Voorburgs Operakoor

12:45	Est. Play Time
505	Measures
	5,002Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		46	164	32	13	87%
		41	107	30	12	90%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		46	164	32	13	87%
		41	107	30	12	90%
Giacomo		20	0	13	12	61%
B		22	0	14	13	57%
Carlo		18	0	11	11	57%
A		19	0	12	12	56%
T		22	1	13	12	56%
S		21	1	12	12	55%
Giovanna		22	0	9	9	46%

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